<div dir="ltr"><div><div><div><div><div>We have, in various spaces -<br></div>- open control positions in the orchestra area of the house<br></div>- completely sealed, double pane glazing to the control booth<br></div>- open control position on the service balcony overlooking the audience<br></div>- sliding glass, removable and lockable back of house control booth<br><br></div>I would agree with you about the deterrence to tampering and theft.<br><div class="gmail_extra"><br clear="all"><div><div class="gmail_signature"><div dir="ltr">Paul Marsland<br>+1 (919) 239-0551<br></div></div></div>
<br><div class="gmail_quote">On Wed, Jul 29, 2015 at 11:33 AM, Stephen Rees via Stagecraft <span dir="ltr"><<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Has anyone ever heard of the new construction of large, unglazed window openings for Lighting/Sound/SM booths that open directly onto the audience seating area? Is there a precedent for such? It seems counter intuitive to me that such a space with $$$ worth of gear would not have glazing to serve as a deterrent to unauthorized access at the very least not to mention having to listen to board op/sm communications regardless of how quietly spoken into an intercom system.<div>Curious.</div><div>TIA</div><div>Steve Rees</div><div>Fredonia, NY</div></div>
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