<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div>Frank occasionally your opinion matters. But the moment you imply that your LDs are better than other LDs you seem an uneducated child. Go play with your transistors sonny, the adults are speaking. </div><div id="AppleMailSignature"><br></div><div id="AppleMailSignature"><br><br>Sent from my H-pad<div><br></div><div>Herrick Goldman</div><div>917-797-3624</div><div><a href="http://www.hglightingdesign.com">www.HGlightingdesign.com</a></div></div><div><br>On Oct 4, 2015, at 18:42, e-mail frank.wood95 via Stagecraft <<a href="mailto:stagecraft@theatrical.net">stagecraft@theatrical.net</a>> wrote:<br><br></div><blockquote type="cite"><div>
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<p>On 04 October 2015 at 23:09 "Jeffrey E. Salzberg via Stagecraft" <<a href="mailto:stagecraft@theatrical.net">stagecraft@theatrical.net</a>> wrote:<br><br><br>The Color Source PAR is indeed out, and indeed remarkable. I also like the <br></p>
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<p>The American obsession with the colour of lights rears its ugly head again. I stand with many better LDs, who are more interested in the quality and direction of stage lighting. That is what makes the pictures. Look at the works of Vermeer, who is probably the best LD of a painter from the past.<br></p>
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