<div dir="ltr">Probably not applicable for in-the-round,<div>with no back surface to project upon,</div><div><br><div>but a few years back we did this</div><div>with a S4 (-26' ?) on a spotlight gimbal-and-handle rig,</div><div>with a gobo with a very small cluster of pinholes.</div><div><br></div><div>Worked surprisingly well.</div><div><br></div><div>Zero budget (gobo from aluminum roof flashing,</div><div>homegrown "gimbal"</div><div> (ie, yoke with secured loose-enough-to-pivot fasteners)</div><div>and homemade handle.</div><div><br></div><div><br></div></div></div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Feb 4, 2016 at 9:32 AM, Lynn via Stagecraft <span dir="ltr"><<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><u></u>
<div style="FONT-SIZE:10pt;FONT-FAMILY:Arial;COLOR:#000000"><font color="#000000" size="2" face="Arial">
<div>Hi All,</div>
<div> </div>
<div>I am researching various options for creating Tinkerbell with light for a
production of Peter Pan in the round. I wondered if anyone has any
suggestions. I am also curious how they did Tinkerbell's flight in
from over the audience in the opening of Finding Neverland should
someone have that information.</div>
<div> </div>
<div>Thanks!</div>
<div> </div>
<div>Lynn Joslin</div>
<div>Light Design </div></font></div><br>____________________________________________________________<br>
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