<div dir="ltr"><div class="gmail_default" style="font-family:verdana,sans-serif">Sound has always been the poor relation.</div><div class="gmail_default" style="font-family:verdana,sans-serif"><br></div><div class="gmail_default" style="font-family:verdana,sans-serif">C-)</div><div class="gmail_extra"><br><div class="gmail_quote">On 22 February 2016 at 11:35, SAMUEL JONES via Stagecraft <span dir="ltr"><<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div style="word-wrap:break-word">For example the Grand MA or the ETC’s Congo ???<div><br></div><div>Sam</div><div><br><div><blockquote type="cite"><div>On Feb 22, 2016, at 11:05 AM, Charlie Richmond via Stagecraft <<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>> wrote:</div><br><div><div style="font-size:14px;font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;font-family:verdana,sans-serif">Simple, fast and expedient software with no substantial initial learning curve as opposed to the old, powerful, capable and complex programs is the current direction in theatre.</div><br></div></blockquote></div><br></div></div><br>____________________________________________________________<br>
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