<div dir="ltr">A long time ago I saw a production of <i>Saturday, Sunday, Monday </i>at the Arena. Done ITR of course with a working kitchen on stage and REAL spaghetti sauce being prepared!! Not the kind of show to go to on an empty stomach. :)<div>Steve</div></div><div class="gmail_extra"><br clear="all"><div><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div>Stephen E. Rees</div><div dir="ltr">Emeritus Professor of Theatre</div><div dir="ltr">CCE-CC Master Gardener Volunteer<br><div>716.366.0505 Home</div><div>716.680.1565 Mobile</div><div><br></div></div></div></div></div></div></div></div></div></div>
<br><div class="gmail_quote">On Wed, Apr 26, 2017 at 11:40 AM, Jon Ares via Stagecraft <span dir="ltr"><<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">On Wed, Apr 26, 2017 at 8:12 AM, Richard John Archer via Stagecraft<br>
<<a href="mailto:stagecraft@theatrical.net">stagecraft@theatrical.net</a>> wrote:<br>
> Yes…take a look at the season history of Washington’s Arena Stage. ….originally in a 30 x 36’ playing space (plus audience of 827)<br>
<br>
I never saw the production, but I read about/saw pictures of a<br>
production of "On the Razzle" at the Arena, and was intrigued by the<br>
notion of doing a farce (all about slamming doors) on a set with no<br>
doors (or walls).... very inspiring when I decided to stage "On the<br>
Razzle" with no doors (but a proscenium production). Working in a<br>
flexible space can be mind-bending, but it's a great exercise, to be<br>
sure.<br>
<span class="HOEnZb"><font color="#888888"><br>
<br>
--<br>
Jon Ares<br>
<a href="http://www.arescreative.com" rel="noreferrer" target="_blank">www.arescreative.com</a><br>
<a href="http://backstagethreads.com" rel="noreferrer" target="_blank">http://backstagethreads.com</a><br>
<br>
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