<html><head><meta http-equiv="Content-Type" content="text/html charset=us-ascii"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="">We bought 12 Elation CUEPIX Blinder WW2 to replace 1000W and 500W ERFs in our Proscenium and Blackbox Theatres. Low wattage and under $400. 1/2 of one has gone bad after slightly more than a year. I have sent it back and hoping it is not a trend.</div><div class=""><br class=""></div><div class="">Johnnie Ferrell</div><div class="">SUNY Geneseo Theatre & Dance</div><div class=""><br class=""></div><blockquote type="cite" class="">On Aug 10, 2017, at 4:21 PM, Bill Nelson via Stagecraft <<a href="mailto:stagecraft@theatrical.net" class="">stagecraft@theatrical.net</a>> wrote:<br class=""><br class="">Our community theatre currently has two 1000 watt Fresnels mounted FOH for use<br class="">as work lights. They are used as floods. Because of the difficulty in getting<br class="">to FOH lights to change burned out lamps, management is considering replacing<br class="">them with LED worklights.<br class=""><br class="">They must be able to be mounted via a standard pipe clamp and have a line<br class="">cord. A color temperature similar to tungsten halogen lamps would be<br class="">preferable, probably not above 4000 K and with a decent CRE.<br class=""><br class="">The lights are controlled by an on/off switch, so dimming capability is<br class="">unnecessary.<br class=""><br class="">Any suggestions are welcome.<br class=""><br class="">Bill</blockquote></body></html>