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I just had a mental image of hanging Zetek borders as acoustical masking in the orchestra pit. It would give them something to complain about beside music stand lights, for once.....<br>
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Matthew Breton<br>
Design for Theater and Dance<br>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> Stagecraft <stagecraft-bounces@theatrical.net> on behalf of Kristi R-C via Stagecraft <stagecraft@theatrical.net><br>
<b>Sent:</b> Monday, April 23, 2018 6:09:03 PM<br>
<b>To:</b> Stagecraft Mailing List<br>
<b>Cc:</b> Kristi R-C<br>
<b>Subject:</b> Re: [SML] Hanging choral miss</font>
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<div class="PlainText">If the goal is getting over the pit, consider hanging FR curtains on the walls of the pit to dampen them a few dBs. Plexi shields around percussion and brass can help the acoustic mix, too.
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Kristi R-C<br>
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> On Apr 23, 2018, at 2:06 PM, Matthew Whiton via Stagecraft <stagecraft@theatrical.net> wrote:<br>
> <br>
> Hello all, <br>
> <br>
> I'm looking for recommendations on hanging choral mics. The goal is reinforcement, not recording. I'm hoping to hang an array of mics above the stage to gain few DB over the orchestra which will be in the pit.
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> <br>
> Thanks in advance for any advice you have to offer. <br>
> <br>
> Matt <br>
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