<div><div dir="auto">I had decent results bouncing gelled fixtures off of a sheet of Mylar (Rosco Mirror I think) that was being blown gently by a small fan. </div></div><div dir="auto"><br></div><div dir="auto">I think we used strips as uplight wash and pars were the “bounce” source. </div><div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Mon, Oct 21, 2019 at 06:13 Richard Niederberg via Stagecraft <<a href="mailto:stagecraft@theatrical.net">stagecraft@theatrical.net</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Would the 'glass tray of water with colored oil slicks, on top of an Overhead Projector, way out of focus', work? It worked in the 60s during the Club Scene before PowerPoint dominated the live conference room presentation field.<div>/s/ Richard</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Sun, Oct 20, 2019 at 10:34 PM Sean McCarthy via Stagecraft <<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">This. Best attempt at this I’ve seen is a handful of lekos focused on a roll of Mylar (full stage width), all with gobo rotators and all colors desired. Lights hung on one end of pipe like pipe ends. <div><br></div><div>—Sean</div><div><br><br>On Saturday, October 19, 2019, Stephen Rees via Stagecraft <<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>> wrote:<br><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div dir="ltr">Similar result as might be achieved for "rippling water" FX, Dave. Possibly two instruments in varied colors?.<div>Worth a try.</div><div>Steve<br clear="all"><div><div dir="ltr"><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div>Stephen E. Rees, Treasurer - Revitalize Dunkirk</div><div dir="ltr">Professor Emeritus of Theatre</div><div dir="ltr">CCE-CC Master Gardener Volunteer<br><div>716.366.0505 Home</div><div>716.680.1565 Mobile</div><div><br></div></div></div></div></div></div></div></div></div></div></div><br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Sat, Oct 19, 2019 at 12:40 PM Dave Vick via Stagecraft <<a href="mailto:stagecraft@theatrical.net" target="_blank">stagecraft@theatrical.net</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"><div><div dir="auto">Dunno if this’d work for you or not - hell, what do I know? I’m a mere rigger...</div></div><div dir="auto"><br></div><div dir="auto">If you’ve got some clear stage area upstage or in a wing, tape down a piece of mirror Mylar flat to the floor, but not *completely* taped down, gel up a Source4 with a suitable green/teal/blue gel (Lee089?) and focus it to bounce off the Mylar sheet onto your sky drop, and then (here’s the fun part) aim a slow-blowing fan at the untaped edges of the Mylar, to get it wiggling. Experiment around with slow fan speeds, various taping schemes, and &c. Until you get your desired Aurora effect.</div><div dir="auto"><br></div><div dir="auto">S’just a thought. Hey, it might even work...</div><div dir="auto"><br></div>-- <br><div dir="ltr">Dave Vick<br>517-749-3859<br>Sent from my #%!^¥? iPhone</div>
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