<html><head><meta http-equiv="Content-Type" content="text/html; charset=UTF-8"></head><body><div>A design for one appeared in Theatre Crafts, April 1989 issue by the list's very own Karl Ruling. </div><div>One feature he incorporated was to allow the ring cadence to be adjusted for a slow, ominous ring, or a faster, more urgent ring cadence.</div><div><br></div><div>I always meant to build one.</div><div><br></div><div>Stuart </div><div><br></div><div><br></div><div><br></div><div id="composer_signature"><div style="font-size:85%;color:#575757" dir="auto">Sent from my T-Mobile 4G LTE Device</div></div><div style="font-size:100%;color:#000000"><!-- originalMessage --><div>-------- Original message --------</div><div>From: Nigel Worsley via Stagecraft <stagecraft@theatrical.net> </div><div>Date: 4/10/2020 4:15 PM (GMT-05:00) </div><div>To: Stagecraft Mailing List <stagecraft@theatrical.net> </div><div>Cc: Nigel Worsley <niglew@googlemail.com> </div><div>Subject: Re: [SML] Telephone line simulator </div><div><br></div></div>This reminds me, one of my lockdown projects is to design a phone<br>ringer for stage use (the day job is electronics design). What<br>features do people feel are missing from the existing affordable<br>solutions?<br><br>Already on the list is the ability to provide the right tones and<br>ringing frequencies for worldwide use and a USB port so it can be<br>triggered by show control software etc.<br><br>Nigel Worsley<br><br>____________________________________________________________<br>For list information see <http://stagecraft.theprices.net/><br>Stagecraft mailing list<br>Stagecraft@theatrical.net<br>http://theatrical.net/mailman/listinfo/stagecraft_theatrical.net<br></body></html>