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<font size="4" face="Arial">I agree with Steven! Never give up on
the better locations.<br>
<br>
JT<br>
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<div class="moz-cite-prefix">On 2/19/2024 9:49 AM, Steven Hood via
Stagecraft wrote:<br>
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<div dir="auto">Don't give up! I help run a gymnatorium that has
pretty good systems in place. We hang a side lighting position
for every show when we take the space back from athletics for
the couple weeks. We take it back down when we give the space
back.</div>
<div dir="auto">I'm in SoCal...</div>
<div dir="auto">Hth,</div>
<div dir="auto">Steven R Hood </div>
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<p
style="color: black; font-size: 10pt; font-family: sans-serif; margin: 8pt 0;">On
February 19, 2024 7:42:12 AM Bill Conner via Stagecraft
<a class="moz-txt-link-rfc2396E" href="mailto:stagecraft@theatrical.net"><stagecraft@theatrical.net></a> wrote:</p>
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<div dir="auto">I'm working with an architect who is
resisting having a lighting position on the cheek
walls of a new 700 seat theatre with 15' of forestage.
I showed horizontal rails, vertical rails, and coves
with and without access behind. He showed on picture
of a HS theate without. And the school does pride
themselves on the their performing arts program.
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<div dir="auto">First, a lesson. Once you retire,
don't un-retire no matter what, even for just one
gig.</div>
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<div dir="auto">So, group, should I keep insisting on
a box boom lighting position or give up? </div>
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<div dir="auto">I have a rail on the rear wall also, a
"balcony rail" position, which I'm guessing will get
attacked also. I just keep remembering Tom Skelton
saying repeatedly "rail is best". </div>
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<div dir="auto">Thanks!</div>
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