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Well, the big difference is the LED-specific one takes a 7.5" gel frame, And like the other EDLT lens tubes, has a solid metal baffle at the front and rear. Unlike the old-school 50-degree lens tube, the LED-50 has two compound lenses, so taking it apart
for maintenance is a bit more work. </div>
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I haven't noticed that much difference in terms of light output or the sharpness of the optics.</div>
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<div>Matthew Breton | <span style="color: rgb(153, 153, 153);">he, him, his</span></div>
Design for Theater and Dance </div>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> Stagecraft <stagecraft-bounces@theatrical.net> on behalf of Jon Ares via Stagecraft <stagecraft@theatrical.net><br>
<b>Sent:</b> Tuesday, January 14, 2025 2:20 PM<br>
<b>To:</b> Stagecraft Mailing List <stagecraft@theatrical.net><br>
<b>Cc:</b> Jon Ares <jonares@arescreative.com><br>
<b>Subject:</b> [SML] Difference between LED-specific 50-degree EDLT and "normal" EDLT?</font>
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<div class="PlainText">Hi - wondering if anyone has any empirical knowledge between ETC's<br>
"LED-specific 50-degree EDLT lens tubes", versus the "standard" EDLT<br>
50-degree lens tube? (Other than very small price difference). My<br>
local salesdude hasn't seen them side-by-side, so he doesn't know<br>
either.... anyone used both?<br>
<br>
For what it's worth, these lenses would be used on either ColorSource<br>
or S4LED Series II fixtures, with gobos, but not incandescent<br>
fixtures. TIA!<br>
<br>
- Jon<br>
<br>
-- <br>
Jon Ares<br>
<a href="http://www.arescreative.com">www.arescreative.com</a><br>
<br>
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