[SML] American Repertory Theater interships
Benjamin Clark
benjaminthomasclark at gmail.com
Mon Nov 10 00:30:49 UTC 2014
Bill,
I've had a good amount of experience with the ART. What department is your
former student interested in? I've worked with most of the production
departments, but couldn't speak to the other areas. I can tell you that
the ART of the last five years is very different from the ART of the
twenty-years before that.
Contact me directly if you'd like.
Best,
Ben
On Thu, Nov 6, 2014 at 3:00 PM, <stagecraft-request at theatrical.net> wrote:
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> Today's Topics:
>
> 1. Carousel Horses (Steven Mclean)
> 2. Re: Carousel Horses (Ford Sellers)
> 3. Re: was:Carousel Horses THANK YOU (gbierly)
> 4. Good article on board-opping Shout-Out (Ford Sellers)
> 5. Re: Good article on board-opping Shout-Out (Ford Sellers)
> 6. Re: Good article on board-opping Shout-Out (Dorian Kelly)
> 7. American Repertory Theater interships (Bill Potter)
> 8. Re: Element console question (billn at peak.org)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 6 Nov 2014 06:56:26 -0600
> From: Steven Mclean <stevenjmclean at gmail.com>
> To: Stagecraft <stagecraft at theatrical.net>
> Subject: [SML] Carousel Horses
> Message-ID:
> <CAEPnT8mQN7NPd5pWGjzNP8PUHFe9Dbbj+KDYkq-wQe5=
> 2NCzYQ at mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
>
> I thought that I would report back about the rotocast Carousel horses
> that I queried the list about a couple of months ago.
> Long story very short: I found a vendor and bought the 2 that I needed.
> Longer version. It seems that Rotonics Inc from which I purchased
> full size rotocast horses 10 years ago went out of business. Their
> moulds were bought by several companies,. After much searching, I
> finally found out that a company in Ohio picked up the moulds. White
> rotocast horse (with mould seams that needed trimming) cost me $150
> each (plus a $50 mould setup fee for quantities below 5) Shipping was
> another $200. Even though all 4 horses were identical in position. I
> painted each one differently using a lot of metallic (silver and gold)
> using some research that I found online.
>
> If anyone needs better contact info, contact me offline.
>
> Thanks for those who replied to my request
>
> Steven J McLean
> steve.mclean at simpson.edu
> designandtechtheatre.wordpress.com
>
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 6 Nov 2014 14:18:41 +0000
> From: Ford Sellers <fsellers at chauvetlighting.com>
> To: Steven Mclean <stevenjmclean at gmail.com>, Stagecraft Mailing List
> <stagecraft at theatrical.net>
> Subject: Re: [SML] Carousel Horses
> Message-ID:
> <
> D2C5F3E78A93DF44BCA1BB2C77A93D46EBF80964 at CVCENTRAL.local.chauvetlighting.com
> >
>
> Content-Type: text/plain; charset="us-ascii"
>
> Hi Steve,
> This sounds like a great project.
> Do you have any photos of the finished horses?
>
> -Ford
>
> -----Original Message-----
> From: Stagecraft [mailto:stagecraft-bounces at theatrical.net] On Behalf Of
> Steven Mclean via Stagecraft
> Sent: Thursday, November 06, 2014 7:56 AM
> To: Stagecraft
> Subject: [SML] Carousel Horses
>
> I thought that I would report back about the rotocast Carousel horses that
> I queried the list about a couple of months ago.
> Long story very short: I found a vendor and bought the 2 that I needed.
> Longer version. It seems that Rotonics Inc from which I purchased full
> size rotocast horses 10 years ago went out of business. Their moulds were
> bought by several companies,. After much searching, I finally found out
> that a company in Ohio picked up the moulds. White rotocast horse (with
> mould seams that needed trimming) cost me $150 each (plus a $50 mould setup
> fee for quantities below 5) Shipping was another $200. Even though all 4
> horses were identical in position. I painted each one differently using a
> lot of metallic (silver and gold) using some research that I found online.
>
> If anyone needs better contact info, contact me offline.
>
> Thanks for those who replied to my request
>
> Steven J McLean
> steve.mclean at simpson.edu
> designandtechtheatre.wordpress.com
>
> ____________________________________________________________
> For list information see <http://stagecraft.theprices.net/>
> Stagecraft mailing list
> Stagecraft at theatrical.net
> http://theatrical.net/mailman/listinfo/stagecraft_theatrical.net
>
>
>
> ------------------------------
>
> Message: 3
> Date: Thu, 6 Nov 2014 09:27:35 -0500
> From: gbierly <gbierly at dejazzd.com>
> To: Steven Mclean <stevenjmclean at gmail.com>, Stagecraft Mailing List
> <stagecraft at theatrical.net>
> Subject: Re: [SML] was:Carousel Horses THANK YOU
> Message-ID: <0D8C4194-0AB4-46D6-AC31-D644934D0799 at dejazzd.com>
> Content-Type: text/plain; charset=us-ascii
>
> > If anyone needs better contact info, contact me offline.
>
> Thank you for passing on the info. I appreciate everyone that takes the
> time to follow up inquiries like this with what their final solutions
> were. As much as I like reinventing the wheel every show it is nice to
> have some well researched solutions filed away.
>
> Thank you to the thoughtful contributors of this list. As much as the
> internet can be a time suck, it is well worth coming back for stuff like
> this.
>
> Greg Bierly
> Performing Arts Center Manager
> Hempfield High School
>
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 4
> Date: Thu, 6 Nov 2014 15:22:25 +0000
> From: Ford Sellers <fsellers at chauvetlighting.com>
> To: "stagecraft at theatrical.net" <stagecraft at theatrical.net>
> Subject: [SML] Good article on board-opping Shout-Out
> Message-ID:
> <
> D2C5F3E78A93DF44BCA1BB2C77A93D46EBF80C6C at CVCENTRAL.local.chauvetlighting.com
> >
>
> Content-Type: text/plain; charset="us-ascii"
>
> Hi all,
> Anne Valentino (from ETC) has a great article in November's Stage
> Directions about preparing yourself (and your console) for programming.
> http://www.stage-directions.com/current-issue.html
> I highly recommend at as a 10 minute read for any young board-ops out
> there.
>
> Ford Sellers
> Senior Product Development Manager
> Chauvet Professional Lighting & Iluminarc
> 5200 NW 108th ave
> Sunrise, FL 33351
> Phone: 800-762-1084
> Fax: 800-544-4898
>
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> ------------------------------
>
> Message: 5
> Date: Thu, 6 Nov 2014 15:30:47 +0000
> From: Ford Sellers <fsellers at chauvetlighting.com>
> To: Ford Sellers <fsellers at chauvetlighting.com>, Stagecraft Mailing
> List <stagecraft at theatrical.net>
> Subject: Re: [SML] Good article on board-opping Shout-Out
> Message-ID:
> <
> D2C5F3E78A93DF44BCA1BB2C77A93D46EBF80CE7 at CVCENTRAL.local.chauvetlighting.com
> >
>
> Content-Type: text/plain; charset="us-ascii"
>
> OOOH Uncle Bill Too!!!
>
> From: Stagecraft [mailto:stagecraft-bounces at theatrical.net] On Behalf Of
> Ford Sellers via Stagecraft
> Sent: Thursday, November 06, 2014 10:22 AM
> To: stagecraft at theatrical.net
> Subject: [SML] Good article on board-opping Shout-Out
>
> Hi all,
> Anne Valentino (from ETC) has a great article in November's Stage
> Directions about preparing yourself (and your console) for programming.
> http://www.stage-directions.com/current-issue.html
> I highly recommend at as a 10 minute read for any young board-ops out
> there.
>
> Ford Sellers
> Senior Product Development Manager
> Chauvet Professional Lighting & Iluminarc
> 5200 NW 108th ave
> Sunrise, FL 33351
> Phone: 800-762-1084
> Fax: 800-544-4898
>
> -------------- next part --------------
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> http://theatrical.net/pipermail/stagecraft_theatrical.net/attachments/20141106/c421b56d/attachment-0001.html
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>
> ------------------------------
>
> Message: 6
> Date: Thu, 6 Nov 2014 16:11:02 +0000
> From: Dorian Kelly <illuminati500 at gmail.com>
> To: Stagecraft Mailing List <stagecraft at theatrical.net>
> Subject: Re: [SML] Good article on board-opping Shout-Out
> Message-ID: <095E7B45-898C-4750-AF23-CCEB47B05CE1 at gmail.com>
> Content-Type: text/plain; charset=windows-1252
>
> Excellent - should be required reading. By a strange coincidence there is
> an article in the Stage ( UK newspaper) today by Rob Halliday about board
> operators and how their job has changed over the lat few years and become a
> profession in its own right.
>
> Having read that I dug out an article that I wrote in 1975 or so about the
> art of the board operator and re-read it, It makes a good contrast. If
> anyone is feeling particularly masochistic, here it is?
> http://www.theatrearts.biz/Board%20operators.pdf
>
>
> Dorian
>
> > Subject: [SML] Good article on board-opping Shout-Out
> >
> > Hi all,
> > Anne Valentino (from ETC) has a great article in November?s Stage
> Directions about preparing yourself (and your console) for programming.
> > http://www.stage-directions.com/current-issue.html
> > I highly recommend at as a 10 minute read for any young board-ops out
> there.
> >
> > Ford Sellers
> > Senior Product Development Manager
>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Thu, 6 Nov 2014 16:23:47 +0000
> From: Bill Potter <bpotter at sps.edu>
> To: Stagecraft Mailing List <stagecraft at theatrical.net>
> Subject: [SML] American Repertory Theater interships
> Message-ID: <F035EBF5-627B-4240-BCCE-6A53F8ECBCAE at sps.edu>
> Content-Type: text/plain; charset="us-ascii"
>
> Howdy gang,
>
> I just received an e-mail from a former student of mine who might be
> interested in the internship program at American Repertory Theater in
> Cambridge MA. Anyone have firsthand knowledge or experience I can pass
> along to her?
>
> Thanks,
>
> Bill Potter
> Webster NH
>
>
> ------------------------------
>
> Message: 8
> Date: Thu, 6 Nov 2014 09:52:26 -0800 (PST)
> From: billn at peak.org
> To: "PJ Veltri" <pjveltri at gmail.com>, "Stagecraft Mailing List"
> <stagecraft at theatrical.net>
> Subject: Re: [SML] Element console question
> Message-ID:
> <ffb25685f585f0921d797a4f94a81e66.squirrel at webmail.peak.org>
> Content-Type: text/plain;charset=iso-8859-1
>
> > You totally can drive the hue and sat as their own subs. The best way
> I've
> > found to do this is to go into blind and edit each sub individually.
> >
> > I use the syntax of [blind] [sub] [x] [enter] then I run the hue of the
> > channel up. I'll then make sure the intensity isn't in the sub by typing
> > [x] [intensity] [@] [enter] and then [x] [saturation] [@] [enter] and
> doing
> > the same thing for each parameter I don't want to be directly controlled
> by
> > the cue. On the bigger boards there's filters which make this easier.
> >
> > This is probably the convoluted way to do it, but it works.
>
> You should also be able to look up the addresses that control hue and
> saturation. You could then record those addresses at 100% in the
> submasters.
>
> Note that I haven't tried this, but see no reason it wouldn't work.
>
> Bill
>
>
>
>
>
> ------------------------------
>
> Subject: Digest Footer
>
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> ------------------------------
>
> End of Stagecraft Digest, Vol 3, Issue 7
> ****************************************
>
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