[SML] Audio levels

[Keith Arsenault]

that comes down to the Producer making a “call”    

i’ve had situations where the choreographer wanted one thing but the Artistic Director ( i e Producer ) said NO WAY . . 

i toured with a South American dance company all over the US . . had this battle nightly . . they wanted sound levels that were WAY too high in my opinion ( and quite frankly in the opinion of the audiences as well ) 

they were adamant . .   not a pleasant situation   , , and they didn’t get asked back to a number of venues because of that . . 


Keith Arsenault
iaeg.sml at gmail.com

On Jun 3, 2015, at 2:57 PM, Jim Vogel via Stagecraft <stagecraft at theatrical.net> wrote:

> My personal preference is to always produce the effect the customer wants, as long as it isn't dangerous to the equipment, audience or performer.