[SML] Stagecraft Digest Question about TERRA NOVA

Keith Arsenault iaeg.sml at gmail.com
Fri Aug 31 16:13:41 UTC 2018


I lit a production decades ago .. 

the set was carved out of white styro   

with “chunks” extending off the edge of the stage and the fascia of the apron dressed in iceberg’esque white as well

“legs” were built out of white styro   as well as a ground row . . 

the cyc was covered with strips of white cheese cloth . . 

we were fortunate in that the ASOLO down in Sarasota had done it the year before and had wonderful props and costumes which we rented 

photo attached  . . . this goes WAY back  . . 1982 ? ? ? 





> On Aug 26, 2018, at 11:16 AM, Ruth Neeman via Stagecraft <stagecraft at theatrical.net> wrote:
> 
> Hello
> Is anyone on the list familiar or has been involved in a production of Terra Nova by Ted Tally - The story of the race to the south pole between Scott and Amundsen?
> Working on ideas how to portray the Antarctic landscape as well as looking for someone that may have access to the sled prop that is needed for this play.
> The play will be produced in early 2019.
> Any thoughts are welcome.
> 
>  
> 
> 
> 
> 
> <Screen Shot 2015-11-29 at 12.24.28 PM.png>
> 
> 
> 
> Ruth Neeman
> www.setbyruthneeman.com
> 
> 
> 
> 
>> On Aug 19, 2018, at 3:00 PM, stagecraft-request at theatrical.net wrote:
>> 
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>> Today's Topics:
>> 
>>   1. Re:  What do we call ERSs now in the LED era? (June Abernathy)
>>   2. Re:  WIgs (Kristi R-C)
>>   3.  Backstreet Boys fallen structure (Jerry Durand)
>>   4. Re:  Backstreet Boys fallen structure (Lou Poppler)
>> 
>> 
>> ----------------------------------------------------------------------
>> 
>> Message: 1
>> Date: Sat, 18 Aug 2018 16:01:02 -0400
>> From: June Abernathy <jea00321 at yahoo.com>
>> To: stagecraft at theatrical.net
>> Subject: Re: [SML] What do we call ERSs now in the LED era?
>> Message-ID: <88CFF7FC-7A9D-44EA-927F-C4AD7E5F0983 at yahoo.com>
>> Content-Type: text/plain;	charset=utf-8
>> 
>> 
>>> Re: [SML] What do we call ERSs now in the LED era?
>> 
>> When I was a punk, all ERS units were generically called Lekos until the Source 4 came along. Curiously, those retained their name and were (and are) generally called Source 4s, in my experience. 
>> 
>> At any rate, I?ve heard ?LED Leko?, ?LED Source 4?, and Source 4 LED? as generic terms. 
>> 
>> We use S4 Lustre 2 units  on my current show, and generally refer to them as ?Lustres?.
>> 
>> It would probably make sense for the term ?Profile? to make it in to general use, but it isn?t a familiar term to most people in the US currently. So, if you used it, you?d probably then have to explain what you meant. 
>> 
>> June Abernathy
>> IATSE #321 (Tampa, FL)
>> FOH Electrician
>> The Lion King National Tour
>> 
>> 
>> 
>> ------------------------------
>> 
>> Message: 2
>> Date: Sun, 19 Aug 2018 00:00:16 -0400
>> From: Kristi R-C <misswisc at aol.com>
>> To: stagecraft at theatrical.net
>> Subject: Re: [SML] WIgs
>> Message-ID: <16550573102-1e9a-e2fe at webjas-vac188.srv.aolmail.net>
>> Content-Type: text/plain; charset="utf-8"
>> 
>> I was taught to take a big "bus tub" (plastic tub) and put a few drops of baby shampoo in the bottom, add about 3" of luke-warm water to it and swish with my hand to blend. Take the wig by the front  top inside seam - not the hair, but the sturdy part of the seam - and with the hair of the wig on the bottom of the tub, make large, slow figure 8s in the bottom of the tub. Don't wring, twist, or go backwards- keep the hair flowing behind. If the wig has a lot of styling products, it may need to sit for a few minutes before doing the figure 8s. Once it's well washed, dump out the soapy water and repeat the procedure without the soap at least twice more to get all the residue and soap out. Gently lay on a towel to carry so you don't put any pressure on the wig cap. 
>> 
>> 
>> Take a canvas wig head that has been wrapped with a couple of layers of Saran Wrap/palletizing wrap and pin the cap in place using ribbon to hold the wig cap in place. With the wig head facing you, place the center of the ribbon on the top, front of the lace and pin, Work your way out to the sides with the ribbon placing pins every 1/2 inch or so in a zig-zag (think motorcycles riding staggered) to hold the wig lace in place.  Roll onto curlers/set being gentle to keep the lace in place and not break hair. Dry in a wig dryer or air dry. 
>> 
>> 
>> http://makeupbygill.blogspot.com/2011/11/wig-making-blocking.html. has some good photos, though I was taught to continue the ribbon around the back side of the  head, too.
>> 
>> 
>> HTH
>> Kristi R-C
>> 
>> 
>> 
>> 
>> ---- Original Message ----
>> From: Pat Kight via Stagecraft <stagecraft at theatrical.net>
>> To: Stagecraft <stagecraft at theatrical.net>
>> Cc: kightp <kightp at peak.org>
>> Sent: Sat, Aug 18, 2018 11:28 am
>> Subject: Re: [SML] WIgs
>> 
>> 
>> 
>> It's been decades since I dealt with wigs myself, but this looks like good advice:
>> 
>> http://savvysheitels.com/washing.shtml
>> 
>> 
>> 
>> 
>> From: "Stagecraft" <stagecraft at theatrical.net>
>> To: "Stagecraft" <stagecraft at theatrical.net>
>> Cc: "Jeffrey Kanyuck" <JKanyuck at Harford.edu>
>> Sent: Saturday, August 18, 2018 8:14:59 AM
>> Subject: [SML] WIgs
>> 
>> 
>> 
>> Hello All,
>>      I have a show coming up where we will be using a wig made of human hair that will be getting dirty over the time of the show. Normal use in a hot dry climate in an outdoor theater. So, dust blown on in the wind, sweat and touches of makeup at the edges.
>> 
>>     Any good tips and tricks for cleaning as we go? I haven't dealt with wings since college more than 30 years ago.
>> 
>> Jeff Kanyuck 
>> 
>> 
>> ____________________________________________________________
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>> ------------------------------
>> 
>> Message: 3
>> Date: Sun, 19 Aug 2018 09:27:23 -0700
>> From: Jerry Durand <jdurand at durandinterstellar.com>
>> To: Stagecraft <stagecraft at theatrical.net>
>> Subject: [SML] Backstreet Boys fallen structure
>> Message-ID:
>> 	<63f7a1d9-6197-68f8-98c4-41e2c06ba946 at durandinterstellar.com>
>> Content-Type: text/plain; charset="utf-8"
>> 
>> I see the main stage held but the entrance structure blew over.? Bet
>> nobody paid much attention to it when they assembled it, all attention
>> probably on the main stage.
>> 
>> 
>> At least 14 people who gathered for a Backstreet Boys concert in
>> Oklahoma have been injured after a severe storm blew over an outdoor
>> entrance structure.
>> https://www.rt.com/usa/436305-backstreet-boys-concert-injured/
>> 
>> -- 
>> Jerry Durand, Durand Interstellar, Inc.
>> www.DurandInterstellar.com
>> tel: +1 408 356-3886
>> @DurandInterstel
>> 
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>> ------------------------------
>> 
>> Message: 4
>> Date: Sun, 19 Aug 2018 10:59:15 -0700
>> From: Lou Poppler <LouPoppler at cableone.net>
>> To: stagecraft at theatrical.net
>> Subject: Re: [SML] Backstreet Boys fallen structure
>> Message-ID: <1534701555.4778.0.camel at cableone.net>
>> Content-Type: text/plain; charset="UTF-8"
>> 
>> And here is a non-Russian news story about the same thing:
>> https://www.usatoday.com/story/news/2018/08/18/backstreet-boys-concert-storm-injuries-oklahoma/1035074002/
>> 
>> 
>> On Sun, 2018-08-19 at 09:27 -0700, Jerry Durand via Stagecraft wrote:
>>> I see the main stage held but the entrance structure blew over.? Bet nobody paid much attention to it when they assembled it, all attention probably on the main stage.
>>> 
>>> 
>>> At least 14 people who gathered for a Backstreet Boys concert in Oklahoma have been injured after a severe storm blew over an outdoor entrance structure.
>>> https://www.rt.com/usa/436305-backstreet-boys-concert-injured/
>>> ____________________________________________________________
>>> For list information see <http://stagecraft.theprices.net/>
>>> Stagecraft mailing list
>>> Stagecraft at theatrical.net
>>> http://theatrical.net/mailman/listinfo/stagecraft_theatrical.net
>> 
>> 
>> 
>> 
>> ------------------------------
>> 
>> Subject: Digest Footer
>> 
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>> ------------------------------
>> 
>> End of Stagecraft Digest, Vol 48, Issue 8
>> *****************************************
> 
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